Category Archives: hand sew/no sew

Sew 77 – Twin-set, no pearls

This hand-knitted coral pink wool twin-set is an op shop find which I’ve upcycled and wear with a contrasting jumper-skirt.

There was a time when people looked down their noses at home-made clothing. That’s all changed now that cheap store-bought stuff is a dime a dozen and one-off hand-made originals are being re-appreciated.

Knitting and crocheting has been rediscovered as a craft of skill, creativity and relaxation. What fun to come across Woollylatte’s, an exclusive knitting boutique and coffee house just around the corner from where I’m staying with my friends Pat and Bruce at Wembley in Perth. Continue reading →

Sew 74 – Adding a button fix

This embroidered silk wrap-around op shop find had a belt-tie waist which I upcycled by adding two buttons/buttonholes to secure the garment more definitively.

Sometimes we need to see things done before we can conceive of different ways of working and wearing – which is why I’m demonstrating upcycling ideas every day with this Sew it Again campaign.

Being in Western Australia for the next couple of weeks, I was lucky to be inspired by a whole bunch of creativity in the annual Sculptures by the Sea at Cottesloe Beach. Several of the textile creations which took my eye are photographed below. Continue reading →

Sew 73 – Untangling a shawl

It was only after I took this op-shop find home that I identified it as a square shape adapted as a shawl by folding on the diagonal, buttoned at front and armholes hidden in the layer below.

I’m posting from Western Australia at the moment – having prepared a few weeks’ worth of upcycling ahead of time. My purpose in being here is to finalise my youngest brother Paul’s estate, after he died in an excavator accident a year ago. He’s left a few mysteries for me to solve – and one that remains outstanding is a single key attached to his Mercedes vehicle key which none of his friends know to what it belongs. We may never know. Life’s like that – uncertain, mysterious and ephemeral. Continue reading →

Sew 41 – Heart in the right place

To liven up this cotton $2 op shop dress, I eco-dyed it along with some silk which was then used to lengthen hemline and embellish neckline along with beads.

I’m making it my business this year to reinvent existing clothing to demonstrate how using creativity and effort enables us to dress in a different, more mindful, way.

My inspiration comes from seeing and reading what others are doing around the world, as documented by people such as Sass Brown in her books Eco Fashion and Refashioned.

Brown also has a website ecofashiontalk.com and today posted an article about creative challenges involved in upcycling post-consumer waste. Continue reading →

Sew 32 – Ethical dressing

The beautiful buttons on this linen outfit are from my mother-in-law’s collection gathered over her lifetime in Cairns north Queensland and given to me in metal cake tin containers.

Quality, heritage and warmth are interwoven in my journey to revive traditional home-sewing skills and reuse natural resources for pleasure and purpose.

I’m also discovering a global ethical fashion community conscious of where clothes come from, how they are made and their ‘true cost’ to people and the environment.

Beautiful, informed people such as founder of manifeco.com Kate Black who wrote on Huff Post recently:

“Ethical fashion, also known as eco, green or sustainable fashion, can take many forms; it can be items that have been passed down (through family or from thrift and vintage shops), clothes from small-batch or local designers, even big brands are getting in the game with fair-trade certifications and using environmentally preferred fibres like organic cotton or tencel.” Continue reading →

Sew 28 – Love upcycled

All credit to New York designer Michael Simon for the gorgeous heart features on this vintage top. I just added a few beads to cover age marks and teamed it with a skirt made from an inverted pink top trimmed with cream linen.

I’m thrilled to be one of 25 upcyclers contributing to the Love Up-cycled exhibition opening February 8 at the Reverse Emporium which is a great showcase for Sew it Again creations.

This is another small step to establishing the values and brand of Textile Beat as a creative, natural and unique way of dressing that is ethical and sustainable.

Reverse Emporium is at Woolloongabba and runs a quarterly series of exhibitions showcasing the work of Brisbane artists that demonstrate an awareness of sustainable practices and a devotion to reducing the impact of their craft on the environment.

It is the gallery shop front for Reverse Garbage, which says Australians generate about 14 million tonnes of garbage each year. About two-thirds of this is commercial and industrial waste – reuse of which reduces landfill and helps protect the environment from further pollution.

I’m an agricultural scientist by training, a communications consultant by practice and this year I’m on a creative journey upcycling natural fibre garments for pleasure, reward and sustainability.

Hearts are highly relevant for Love Up-cycled with Valentine’s Day just around the corner.

I had to dig deep into my stash to relocate this top gifted to me for upcycling last year by my friend Robyn, which she had been given by a friend 20 years earlier but was no longer wearing.

The quality and integrity of the top is so strong that I resisted the temptation to cut into it. Instead, I teamed it with a mod skirt which I created by turning another top upside down, adding thin elastic at the waistline before trimming it across the sleeves and adding a linen bias-cut frill.

Sew 23 – Upcycle by hand-sew and knots

Upcycling can be achieved without a sewing machine as I did by turning this old cotton dress into a muumuu, hand-sewing shoulder straps and knotting the hemline to create interest.

It is empowering to take any old garment and recreate it into something more wearable – and I’m fascinated to be reading and researching others doing this around the world, including the Centre for Sustainable Fashion in London.

By actions and choices, we as individuals can make changes to reduce the burgeoning rate of textile consumption which has been increasing three times faster than the population.

Much of this increased textile use is man-made fibres created using petroleum, coal and gas – which feeds into the whole consumption and disposal issues associated with fast-fashion trends.

NASA reported this week that high temperatures last year were part of a sustained long-term climate warming trend and in Australia, where I live, 2013 was the hottest on record. Continue reading →

Sew 19 – Creativity in dress

It took several additions to be satisfied with this dress and I am still not entirely so. It is a bit twee, lacking creative spark.

Creativity is an interesting quality, which my edition of the Macquarie Dictionary defines as the state or quality of being creative. Creative, adj, 1. having the quality or power of creating. 2. resulting from originality of thought or expression. 3. originative; productive.

As an agricultural science graduate, creativity didn’t feature much in my formal education and I always scratched my head when encountering star sign characterisations of Pisceans which generalised us as artistic types.

It was only after children and having fun with paint, clay and glue that I began experiencing the potential for creativity and the concept of producing something out of not much.

More recently while pausing again to look around my world and undertake further study, I read Deepak Chopra who identified creativity as one of the most significant spiritual laws in The Seven Spiritual Laws of Superheroes.

Chopra defines creativity as a leap in consciousness that brings new meaning or new context to any situation or problem. Cultivating creativity turns problems and obstacles into challenges and opportunities. In every adversity there is a seed of something magnificent.

He says creativity is the principal force that drives all life, evolution and the mechanics of science. To effectively harness creativity and lead in your life, Chopra recommends:

Determine what to get rid of – what in your life detracts from its quality and is unnecessary? Commit to letting go of whatever it is that is holding you back, including toxic habits, emotions, relationships, substances and environments.
Practice clarity of vision – what do you want to create? Ask yourself what you really want, why you really want it, and if manifesting it will serve a higher purpose for humanity
Follow the nine steps to accessing your creativity with diligence and detachment. The steps are: intended outcome; information gathering; information analysis; incubation; insight; inspiration; implementation; integration and incarnation.

I’ve taken these thoughts on board in developing this Sew it Again campaign as a personal leadership response to the burgeoning waste of textiles and clothing churn I see all around us. I am now in the implementation phase – Day 19 of a 365-day demonstration of upcycling natural fibre garments for pleasure, reward and sustainability.

From my op shop stash, I used an old silk shirt to create straps and embellishments to turn this skirt into a dress. I used the former shoulder pads to create button brooches, which looked a bit too neatsy on their own, so I gathered up the collar to create another brooch and randomly stitched another torn strip from the shirt across the dress front.

Sew 16 – Composing outfits

This outfit is a compilation of three items gathered separately which I brought together in a wardrobe try-on session.

It is easy to end up with a lot of oddments and separates in the wardrobe, doubly so when you buy op shop as I do. So instead of having a scramble each morning about what goes with what, I have sessions where I bring together all the mishmash stuff and create outfits which then hang together.

Dressing this way, you never see anyone else in the same outfit – as can be problem when you buy the latest fashion trend.

In their book Paris Street Style: A guide to effortless chic, Isabelle Thomas & Frédérique Veysset say we express our idea of who we are by the clothes we wear. It’s an unconscious, unspoken language that we direct at other people.

“You have to find your own look. There’s no need to knock yourself out to stand out; all that’s required is to be aware of who you are. If you are that, you can develop a harmony between your clothes and your personality. It’s not a question of age or money, more of a state of mind and an intention.”

They quote sociologist Patricia Delahaie as follows: Today, in the era of individualism, everyone can live and dress their own way, inventing themselves and the images that suit them best. Everything is possible now … your look reveals quantities of information about you. To what tribe do you belong? What image of yourself do you want to project? Do you wish to join the mass, or do you need to assert that you’re different? Is it your intention to be seen, or would you prefer to stay in the background? Are you eager to express your creativity, do you need to display the sides of yourself that are sporty, asexual or even rigid?

There wasn’t much sewing involved in today’s offering. The linen wrap-around skirt (Turtle Creek) is as found in an op shop. The designer linen top (Carla Zampatti) is also as found in op shop, except for the add neck scarf – a cast-off from my sister which I thought was a perfect lift to bring the outfit together. It is just stitched on the inside of the neckline and can be easily removed if preferred.