Monthly Archives: March 2014

Sew 70 – Waistline issues

upcycled drop-waist dress

This dropped-waist dress was created by cropping the waistline from a zippered A-line skirt and sewing it to a reversed polo skirt sans collar.

We know charity op shops are bulging with perfectly good clothing. After pondering why so many quality garments are being moved on, I’ve come up with a theory. People are literally outgrowing them and need to upsize. Bingo.

There’s an obvious correlation between our bulging waistlines and the burgeoning mountain of waste clothing. Australia is ranked as one of the fattest nations in the developed world, with three in five people (over 60%) now overweight and that figure is growing all the time.

One of the reasons I sew is to adjust clothes to fit my changing shape. Most people don’t sew – and since clothing has become so cheap it is easy to just upsize by buying new and tossing out the too-tight old stuff.

In their book Plant Obesity How we’re eating ourselves and the planet to death, Garry Egger and Boyd Swinburn link obesity with consumerism and climate change. They suggest we can help ourselves by living a low-carbon lifestyle, changing our way of thinking about how we live as much as our actual behaviours.  Continue reading

Sew 69 – A Scrappy Shift

Sustainable shift from scraps

This Scrappy Shift has a story to tell about the pieces of pink and white garments resewn for a second life in another place and time from their original purpose.

Some people will look at this and hate it. I look at it and love its busyness, diversity, colour, texture, quirks and angles – all stitched up with authentic simplicity and care.

Steph Poncini

This concept started with a friend’s shift from which I cut a pattern. I did this by placing an old sheet on the floor, laying the dress on top and cutting around it with 1cm extra all round for seams. This will be my pattern for future similar garments.

I then rearranged the rest of the sheet so it was on the cross (the diagonal grain) and cut two fresh pieces with irregular hemline created by the shaped fitted-sheet elastic randomly cutting across the bottom. I left the elastic in place and it is now hidden by the pieces of dress which fall down over the top of it. Cutting on the cross helps the finished garment drape less squarely and stiffly. Gathering various pink garments from my storage spaces and a metre of pink bobbles, I proceeded to cut pieces using pinking shears and randomly arrange then pin them on the sheeting. Son Max and Steph, see photo, called in for brunch and shared some time in this process.  Continue reading

Sew 68 – Glowing with silk

upcycled silk outfit

This op-shop silk top was resewn for a better fit then teamed with home-made silk skirt, and a scarf to finish.

My excuse for having wardrobes of accumulated natural-fibre clothing is I’ve been rescuing it from op shops for a song. Older clothing is often better quality and more interesting than new garments, which are increasingly being made from synthetic fibres.

Statistics show that average apparel fibre consumption in 1992 was 7kg per person and that increased to 11kg each by 2010 – an 80% increase in less than two decades. During that time, most of the increase is in synthetic fibres made from petroleum with natural fibres consumption increasing only marginally.

Each year, we are each adding 11kg more clothing to the global stockpile – with much of the reject stuff heading to landfill. What does 11kg of clothing look like?

I’m giving a presentation later this month on this topic and bagging up old stuff a friend was tossing out as props so we can eyeball what an individual year of new clothing looks like for one person. Globally, we multiply those bags by 7.2 billion to get a year’s worth of clothing consumption.  Continue reading

Sew 67 – Dressed to frill

Purple frill dressThis was a long shift dress to which I added rows of salvaged silk and repositioned the hem as a collar.

On this International Women’s Day it’s troubling to read the statistics of women still living in difficult circumstances and disempowered, enslaved or subjugated.

Oxfam International says women perform 66% of the work, produce 50% of the food, but earn only 10% of the income & own 1% of the property.

The Women’s Agenda highlights these statistics along with the stunning Oscar speech of 12 Years a Slave actress Lupita Nyong’o in which she said: “it doesn’t escape me for a moment that so much joy in my life is due to so much pain in someone else’s”.

As I reuse existing clothing I’m valuing the hard work that has gone before and rejecting exploitation exposed by the Rana Plaza fire that has sparked a Fashion RevolutionContinue reading

Sew 66 – Old shorts to skirt

shorts become skirtUpcycling male ambassador Phil sent his too-big old shorts my way and I recreated them as a shabby-chic skirt.

Reinventing old stuff for a new life and engaging others in creatively discovering ways to reuse existing clothing is my purpose this year with the Sew it Again campaign.

This campaign brings together all that I know and believe in from my upbringing living simply on a sheep farm in New Zealand, through agricultural science study, work as a rural reporter and advocate, then postgraduate study in eco-leadership and wellbeing.

Julia Shapley webIt was wonderful to share stories and a meal with gorgeous Julia Shapley when she visited the studio yesterday. Julia’s on her way to becoming a ‘glamorous hippy’ as she follows her heart on a creative journey that involves many new and exciting projects – at least one of which involves design, fabric and sewing.  It feels good to connect with friends who share similar values and also believe that anything is possible when you engage with universal intelligence.

In this photo, Julia is wearing a dress of her own making – simple yet glamorous – and reading a favourite book of mine, The Sustainable Fashion Handbook by Sandy Black. Continue reading

Sew 65 – Signature jumper-skirt

signature jumper-skirtThis quick upcycle was a too-busy knit top turned into a jumper-skirt teamed with op shop top and wool jumper.

It was fun to be at Parliament House yesterday networking with rural colleagues and parliamentarians including Premier Campbell Newman for the 2014 RIRDC Rural Women’s Award.

Congratulations to winner Lauren Hewitt from Brisbane and runner-up Rhonda Sorensen from Malanda. Lauren works for farm group AgForce Queensland and is interested in improving farm profitability – a message which resonates because without profitable farms, there is no food and fibre.

Sharyn Garrett Rod Kelly and Jane Milburn webMy lovely 2010 Queensland counterpart Sharyn Garrett travelled from Amby in south west Queensland and it was great to see her, pictured right with (me) Jane Milburn and Rod Kelly from Westpac Agribusiness a long-term sponsor of the award along with Fairfax Agricultural Media and the Queensland Government.

I was also inspired yesterday to have Brisbane Visual Arts Community president Lena Tisdall and Jola Szymczyk visit my studio to discuss an upcoming talk on upcycling and global textile consumption. Jola is president of Australian Textile Surface Design Association, Queensland and the driver behind Greater Springfield Creative Hub based on the recognised link between creativity and healthContinue reading

Sew 64 – A little upsize

adding room to silk jacketThere’s nothing worse than a too-tight jacket, so create a little more space by adding extender ribbon loops near the top buttonhole and use a scarf to fasten and cover the space.

This jacket now fits my current shape and is suitably dressy for Parliament House and today’s announcement of the 2014 Queensland RIRDC Rural Women’s Award.

I’m proud to be part of the alumni for this Rural Industries Research and Development Corporation program, as 2010 Queensland runner-up, and enjoy opportunities to catch up with women and men doing great things in the sector.

Even though I live in the city, I feel connected to the bush because of my rural heritage, education and advocacy work. In fact we all have connection to rural because that is where our food and fibre comes from – and we need to be increasingly aware of that. Continue reading

Sew 63 – Camouflage for stain

Upcycled wool and linen coat dressTwo orange knit garments were melded into a dress to camouflage an unfortunate stain on an otherwise beautiful wool top.

When a hole appears, a button falls off, seam pops or stain appears – what do you do? Turn to expert, toss them out, or DIY? If you have simple home-sewing skills, you are empowered to apply them creatively to solve small defects in otherwise perfectly good clothing.

With my Sew it Again campaign this year I’m working my way through wardrobes full of natural-fibre clothing accumulated from various sources over time, demonstrating creative ways of upcycling and reviving them for a second life.

I’ve run a number of different campaigns in my time, and it was interesting to be described as an ‘avid sewer and sustainable fashion advocate’ by Laura Stead-Churchill in Bmag.comContinue reading

Sew 62 – Unleashing upcycling creativity

upcycled linen suitThis linen combo springs from jumper and jacket uplifted by creating jumper scarf with jumper bottom becoming skirt.

It is fun, resourceful and economical to magic something fresh from existing clothing that’s in the reject pile – and I love sharing ideas and skills to help others find their inner creative.

A key learning from postgraduate study last year that applies at any stage of life is seeking the skills/asking for help from those with the knowledge to move you forward.

Some people say they don’t have a creative bone in their body or can’t sew. I believe that’s a self-limiting approach inadvertently sown (excuse the pun) by a parent, teacher, partner or ‘friend’ somewhere in the past. Continue reading

Sew 61 – Knit wrap dress

purple wrap dressThis lavender knit wrap dress and purple skirt needed a lift – especially after I caught it in my push-bike spoke (don’t ask) – so I cut off the scarred bit and added some extra purple knit trim.

Being able to resew and adjust existing clothes is empowering and results in individual garments that suit your own shape and preferences – and you will never run into anyone else wearing the same outfit. It also means you can have ethical, thrifty, interesting and sustainable clothing choices based on what works best for you.

It is fun passing on ideas and skills to others – as I did yesterday when helping my lovely friend Liliana Molina make a few tweaks to her gorgeous flamenco skirt bought for a concert last year and now converted to a glamorous dress by adding some elastic and shoulder straps.  Continue reading